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Here are all the paintings of Claude Monet 10
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
87828 |
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Waterloo Bridge |
1903(1903)
Medium Oil on canvas
cyf |
3055 |
|
Waterloo Bridge, Effect of Sunlight in the Fog |
1903
73 x 100cm
National Gallery of Canada, Ottawa
|
83980 |
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Waterloo Bridge, Gray Day |
Date 1903(1903)
Medium Oil on canvas
cjr |
34887 |
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Waterloo Bridge,Overcast Weather |
mk97
1899-1901
|
49042 |
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Waves at the Manneporte |
mk192
1883 or 1885
73.7x92.7cm
|
49017 |
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Waves Breaking |
mk192
1881
60x81cm
|
38871 |
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Weeping Willow |
mk141
1918-19
Oil on canvas
89x116cm
|
49438 |
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Weeping Willow |
mk196
1918-19
Musee Marmottan
Paris
|
59950 |
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Weeping Willow |
Weeping Willow, 1918-1919, Kimball Art Museum, Fort Worth
|
49036 |
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Wheat Field |
mk192
1881
64.6x81cm
|
86017 |
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Wheatfield |
1881(1881)
Medium Oil on canvas
Dimensions 65.5 x 81 cm (25.8 x 31.9 in)
cyf |
2980 |
|
Willows at Vetheuil |
|
51916 |
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Willows in Haze,Giverny |
mk222
1886
|
51890 |
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Wind Effect,Sequence of Poplars |
mk222
1891
Musee d-Orsay |
51948 |
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WInd Effect,Sequence of Poplars |
mk222
1891
Musee d'Orsay
Paris
|
51964 |
|
Windmills near Zaandam |
mk222
1871
48x73.5cm
|
49064 |
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Wisteria |
mk192
about 1919-20
|
49455 |
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Wisteria |
mk196
two metres wide |
87922 |
|
WLA metmuseum Camille Monet on a Garden Bench |
1873
Oil on canvas; 23 7/8 x 31 5/8 in.
cjr |
59915 |
|
Woman in a Garden |
Woman in a Garden, 1867, Hermitage, St. Petersburg
|
2990 |
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Woman Seated Under the Willows |
81 x 60cm |
3007 |
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Woman with a Parasol |
1875
100 x 81cm
National Gallery of Art, Washington
|
51904 |
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Woman with a Parasol |
mk222
1875
National Gallery of Art
|
59922 |
|
Woman with a Parasol, |
Woman with a Parasol, (Camille and Jean Monet), 1875, National Gallery of Art, Washington, DC.
|
2962 |
|
Women in the Garden |
1866-67
256 x 208cm
Musee d'Orsay, Paris
|
33962 |
|
Women in the Garden |
mk87
1867
Oil on canva
256x208cm
Paris,Musee d'Orsay
|
40740 |
|
Women in the Garden |
mk156
1867
Oil on canvs
255x205cm
|
49425 |
|
Women in the Garden |
mk196
1866-67
Musee d-Orsay
Paris
|
96473 |
|
Women in the Garden |
1866
Medium oil on canvas
Dimensions 255 X 205 cm
cyf |
21481 |
|
Women in the Garden (mk09) |
1867
Oil on canvas,256 x 208 cm
Paris,Musee d'Orsay |
74231 |
|
Women with umbrella |
Polski: "Kobieta z parasolką(Portret zony z synem}" 1875r
Date 1875r
cyf |
34908 |
|
Yellow Irises |
mk97
1914-1917
|
49457 |
|
Yellow Irises |
mk196
no date Museum Marmottan
paris
|
49443 |
|
Yellow Irises with Pink Cloud |
mk196
in their ornamental clarity,these yellow irises against an unnatural violet sky are very reminiscent of Japanese Prints
|
54154 |
|
Young Girls in a boat |
mk235
1887
Oil on canvas
145x132cm
|
34854 |
|
Young Girls in the Rowing Boat |
mk97
1887
|
20834 |
|
Zaanam (san33) |
1871
1' 7"x2' 4 3/4(48x73cm)
Gift of Etienne Moreau-Nelation
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Prev 1 2 3 4 5 6 7 8 9 10
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Claude Monet
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French Impressionist Painter, 1840-1926
Claude Oscar Monet (14 November 1840 C 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting.
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the ninth arrondissement of Paris . He was the second son of Claude-Adolphe and Louise-Justine Aubree Monet, both of them second-generation Parisians. On 20 May 1841, he was baptised into the local church parish, Notre-Dame-de-Lorette as Oscar-Claude. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery store business, but Claude Monet wanted to become an artist. His mother was a singer.
On the first of April 1851, Monet entered the Le Havre secondary school of the arts. He first became known locally for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugene Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting.
On 28 January 1857 his mother died. He was 16 years old when he left school, and went to live with his widowed childless aunt, Marie-Jeanne Lecadre.
After several difficult months following the death of Camille on 5 September 1879, a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. During the early 1880s Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings.
Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest Hosched, (1837-1891), a wealthy department store owner and patron of the arts. Both families then shared a house in Vetheuil during the summer. After her husband (Ernest Hoschede) became bankrupt, and left in 1878 for Belgium, in September 1879, and while Monet continued to live in the house in Vetheuil; Alice Hosched helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche, Germaine, Suzanne, Marthe, Jean-Pierre, and Jacques. In the spring of 1880 Alice Hosched and all the children left Paris and rejoined Monet still living in the house in Vetheuil. In 1881 all of them moved to Poissy which Monet hated. From the doorway of the little train between Vernon and Gasny he discovered Giverny. In April 1883 they moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hosched married Claude Monet in 1892.
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